then i fidget or move something. there simply is no cmd-z in real space with tubes each having their own own inclinations. pin here, clip there, move it a smidgen and the entire piece is simply different. snip here, cut there, bam different. once the clip, snip, pin, position is shifted, there is no going back. my preference for exhibition will always be toward a space i can install directly within. moving the work forever changes the bulk of it. a few works never change perceptually…ie incessant thinking and incessant thinking [again].