Stepping Back to Move Forward: Expressive Writing Promotes Self-Distancing |. Pedagogical Implications for Training those “Moody Artists”
Summary: Park, J., Ayduk, Ö, & Kross, E. (2016). Stepping back to move forward: Expressive writing promotes self-distancing. Emotion, 16(3), 349-364. For individuals high in emotional reactivity with less efficient stress management mechanisms, it seems possible to regulate negative affect... Read More0
artist because of a dispositional failure to fit any other social position — sadness, suffering and the creative act
Theories and schools, like microbes and globules, devour each other and by their struggle to ensure the continuing of life. – Marcel Proust
oh damn my procrastination and that dastardly Pierre Bourdieu and his Fields of Cultural Production
I am cog
Autoethnographical Micro Reading Response 04—Adorno, Culture Industry CONCEPT: Adorno claims, “conformity has replaced consciousness” and “what might emerge as a point of resistance to the all-embracing unity of the system is immediately integrated and repressed” (Adorno and Bernstein, 1991, p 9)... Read More0
accounting again and again for myself – i am scholar, only sort of, it is an unreconcile fit
Art as an Accounting of Oneself. Reflecting artist into a Judith Butler essay.
GENDER TROUBLING? or am I just bull shitting myself in order to identity the function of writing for the visual artist?
Academic Textabation: Bending citations—I try to ACT in the gap
slowly bending citations — the language of female visual artists
is “doing artist” the equivalent of “doing gender”?
Tangent [Julia Kristeva’a intertextual ADD] of the dissertation direction sort… I am currently reading The Topless Cellist (on Charlotte Moorman) for a class and for another class I am perusing the article “A Performative-Performance Analytical Approach: Infusing Butlerian Theory Into the Narrative-Discursive... Read More1
“research becomes an alternative to self cannibalization” Lopate
Disciplined Play with Hybrid Monsters, Compression, and Lived Experience.
Mondrian White on White Pivotal Set, Oompa Loompas, A Buzz and Holler,plus Racks of Disemboweled Cadavers. LOVELY
Judith Butler and transGENRE (ha)
There is a forgetfulness between self and context…The foot twitches; the mind thinks. The mind thinks; the foot twitches. The mind twitches; the foot thinks. The foot thinks; the mind twitches. Perhaps.
An unfootnoted musing for a toe dipping short term project Option A—the easy way: Analysis of interdisciplinary product (outcome)—Robert Morris and Carolee Schneeman Option B—the less easy*: Analysis of Intermodal process (income)—Contemporary intermodal artistic practice of writing and ___ The... Read More0
abstraction and ambiguity — two magnets, one mom and a refrigeratordoor — take three
Two magnets, one mom, and a refrigerator door
first scholarly neophyte research question to pursue relative to my dissertation interests
RESEARCH QUESTION: Are contemporary female visual artists using self subjugating language? —-end of requested—- Language sampling source and narrowing the playing field: Kristine Stiles and Peter Selz’s text, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, 2nd... Read More0
Responsive Textabation #6 – female hysteria and theatrical realism
Realism’s putative (commonly regarded) object, the truthful representation of social experience within a recognizable, usually contemporary, moment, remains a problematic issue for feminism, not least because theatrical realism, rooted in domestic melodrama, retains the oedipal family focus even as ….... Read More0