Never blog when tired.
Mode of exception, the norm.State of emergency, the norm.Presences of artificially generated fear, the norm.In perpetual transit, I am endlessly waiting. Spectacle.Spectator.Speck. Reacting against our spectator culture, I move away from spectation toward production, not mechanized but sensualized by the... Read More0
Against my better judgment, I open myself.
[methodology] I trust the process—research, collective critical analysis, emergent forms from visceral object making, alternate views that manifest themselves via found objects, questioning my assumptions about the nature of things, and daily writing. But most importantly I have found that... Read More0
Folds and Stacked: An exercise in restraint
CSAW exhibition openingJanuary 13-February 1, 2007Commerce Street Artists Warehouse2315 Commerce Street, Houston, 77002 Tenant gallery:Stacked and Folds: an exercise in restraintwith Kathryn Kelley The constructs reference the body, the female form—the contrived fashion in which I attempt to coerce my... Read More0
Unhinging the Distant exhibition at CSAW
On view through December 28by appointment Kathryn Kelley kkelley@houston.rr.com Commerce Street Artists Warehouse, 2315 Commerce Street, Houston, TX 77002 The show, Unhinging the Distant, includes recent MFA graduates and soon to graduate emerging artists, Doug Cason, Woody Golden, Leslie Magdaleno... Read More0
Defense mechanisms of self enclosure
In thinking about critic and curator Okwui Enwezor’s lecture at MFAH. Intimacy. Fear. Proximity. Disturbing nearness. Loss of shallow distance. Contamination. Enclosure. Enclusion. Exclusion. Exception. Empire of Secrets. Endless waiting. Out of place. Out of time. Out of tune. Profound... Read More0
diverted and cutoff
rebellion is not rebellion at all.it is a cultural norm. it ensures conformity.0
consumption
consumptionreplaces REVOLUTION consumptionreplaces REDEMPTION consumptionreplaces THE RELATIONAL consumptionreplaces THE REAL impotenceacrylic, charcoalon cardboard48″ x 96″0